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BIOGRAPHY
2007 Hunter College, MFA
2001 California College of Arts and Crafts, BFA, Printmaking
1995 Oberlin College, BA, Environmental Studies
SELECTED EXHIBITIONS
2008 DISCOVER (Cara Barer, Astrid Korntheuer, Cybele Lyle,
Thomas Misik,
Lydia Panas, Joachim Schulz, Flavia
Söllner),
Galerie Poller, New York
tART Salon, Rabbit Hole
Gallery, Brooklyn
2007 Photo Miami Installation, Galerie Poller, New York
Space Stories, Chashama Gallery, New
York
MFA Thesis Show, Hunter College Times
Square Gallery, New York
Round 1, Dresslab.com, Online
Magazine
Good Times: Crash & Play, Vespa, New
York
2006 International Flipbook Festival, Traveling
2005 What Means Free?, Chelsea Hotel, New York
MAs Select MFAs, Times Square
Gallery, New York
Paintings & Prints, Hang Gallery, San
Francisco
Ink and Clay 30, Cal Poly, Pomona, CA
2003 Paintings, Hang Gallery, San Francisco
2002 Paintings, The Canvas, San Francisco
2001 Prints and Paintings, CCAC, San Francisco
2000 Miniatures, Michael Himovitz Gallery, Sacramento
AWARDS/RESIDENCIES
2008 Associate Artist, Atlantic Center for the Arts (Master Artist: Rob
Pruitt)
2007 Nancy Ashton Memorial Prize, Hunter College
2006 Resident Artist, San Francisco Day School, San Francisco, CA
2000 Yozo Hamaguchi Printmaking Scholarship Award
ABOUT THE WORK
I have a terrible memory and a strong desire to remember. A fear of
forgetting, ultimately a fear of loss, combined with the need to protect
against this loss drives my current body of work. Like putting on eyeglasses,
using my various cameras has become a part of daily routine, documenting the
everyday aspects of my life and helping to bridge the gap where memory fails.
To help myself hold on to memories I started what became an ongoing practice,
taking photos each day of whatever small things were happening; playing
darts with friends, eating lunch, etc. These snapshots become the artwork,
made up of images from every day up until the piece is finished. The
implication is that this process will continue and tomorrow’s events will
make up the next collection of photographs. The day-to-day quality of the
work circumvents loss because it does not end. Since each detail has been
recorded and turned into art, the hope is that my daily life has been
validated and preserved outside of myself, suggesting a continual presence
and a place in the future.
While much of my work is concerned with loss in terms of people,
relationships and community, there are also pieces that focus more on place.
These speak to the subjective relationships we have with our neighborhoods,
architecture, and surroundings. Untitled (SF), 2006-07 is a huge photograph
of a house in San Francisco, which is altered slightly through paint,
re-photography and cutting. The image is a little different than a regular
photograph of a building, as if it is not quite real. The windows are cut
out so the viewer can look through them into the interior space of the
installation. The photograph is the façade of a building, and is about the
outside and about what you see first.
Cybele Lyle
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